of the Lazy Literatus

Category: Tea Features

I don’t call these tea reviews, but rather tea features. Reason being, I don’t devote insane amounts of effort to negativity.

That and life is too short for a bad cup of tea.

Awesome Assam is Awesome!

Teas from the northeastern state of India called Assam are known for many things. First and foremost are their robust and malty characteristics. Second (and this is one I’ve noticed) is their lean towards – how to put it – tiramisu sweetness. Very odd. Part of their unique character comes from the varietal of tea plant used – one that is actually native to the region. Unlike Darjeeling, which uses Chinese cultivars, Assam has its own native bush, the Camellia sinensis var. assamica. Until the British came along, this shrub was only used for Ayurvedic  purposes.

To me and a few others in my tea circle, Assams hold the honor of being the second manliest type of tea in existence. First place, of course, goes to the pine-smoked monstrosity that is Lapsang Souchong. I have since sampled quite a few single estate offerings – some better than others – and all have put a spring in my step thanks to the s**tstorm of caffeine they impart. But no one told me…

That there was a white Assam out there.

White teas are my muse. They started me on the path of tea exploration;  they continue to haunt and heighten it.  I have tried whites from China, Sri Lanka, Darjeeling, and even here in the Pacific Northwest. All were one shade of awesome or another, but I had never had a white Assam.

It’s white buffalo-esque existence came to my attention upon visiting a local tea shop. I was perusing the vast array of loose leaf whites when I came across it. So shocked was I that I could barely form the words, “I’ll get an ounce of this.”

The teller said, “That’ll be $15.”

Like a Tex Avery cartoon, my jaw dropped. I ended up leaving with just my do-it-yourself teabags. My quest was at an end by way of moth-wallet.

A year later, I received a white tea variety pack from Canton Tea Co. They always treated me super well. Of the unique teas in the batch, I expected the Darjeeling white, the Silver Needle, and the White Peony. (I adored all of ‘em.) Quietly tucked away in the mailbag, though, was something I wasn’t expecting. Scrawled in Asiatic-looking script were the words “Assam White”.

I shrieked. My brother/roommate jumped at the sound. His dog looked at me quizzically. My cat’s tail bristled in alarm. I tried to explain the significance of this one shiny, silver bag of “Awesome”…but it all came out like geeky sputters.

I brewed it up the next day.

The dry leaves looked like Silver Needle white tea by way of lawn-clippings – small, reed-like, and light green. The aroma also didn’t give off anything particularly extraordinary. It smelled like grass with a bit of a melon-mint profile – white tea-ish but not uncharacteristic. As a result, I brewed it up as I would any normal white tea; 1 heaping teaspoon in 8oz. of 165F water for three minutes. Big mistake.

I basically brewed…water. It had no character to speak of whatsoever. This being made from the same burly leaf Assam blacks were, though, I knew I’d done something wrong. I did it again, but this time I dialed the temperature on my water kettle to 180F. This was pushing it, but it was for science, damn it!

The results were pure…well..awesome.

Okay, if you want specifics, the liquor brewed to a transparent gold with a strong nose of parsley, sage, rosemary and F**KING AWESOME!!! It had the character of other white teas but with some of the malt that made Assam blacks so delectable. It was like someone said, “Melon meet Malt. Now…FIGHT TO THE DEATH!”  Imagine a Viking in a tu-tu, and you’ll get the idea. Sure, he’s wearing a tu-tu, but you wouldn’t call him a sissy. This was no sissy white tea.

Further proof of its lack of sissy-ness arrived by steep five. Yeah, you heard right. Steep f**king  five. This pitbull puppy of a tea lasted five infusions without letting go of its flavor. I only ran into one other white tea that lasted that long, and that was from the U.S. of A. Most taper off by steep three.

Canton Tea Co. mentions that this white tea is from the Mothola tea estate, one of the only estates in Assam to produce white teas. In other words, this was a rare pleasure indeed, and that sort of explains the high price tag for Assam whites in general. Still, considering how much bang you get for that buck (five steeps!), I’d say fork it over. This was not a white tea for wimps…even though I am one.

To buy Canton Tea’s Assam White, go HERE! (If you dare…)

Attack of the Coffee Clones

“Ersatz” is a German word that roughly translates to “substitute or replacement”. English speakers adopted it to refer to an inferior copy of something else. The original definition, however, does not indicate that the duplicate need be inferior – merely alike. My first exposure to the word arrived in two different ways the same year – one while reading a textbook (and falling asleep), the other used by a very glib and verbose friend of mine (who made me fall asleep). Of all the scholastically snobby traits I’ve developed, the use of “ersatz” never entered my lexicon. (Although, I still use “lexicon” regularly.)

The unique word was recently adopted by an outfit in Bellefonte, PA., called the Coffee Trade Company. In a “charmingly anachronistic” fashion (their words), they developed a coffee substitute that differed from others on the market. Most coffee subs I’ve encountered contain some combination of three ingredients – barley, chicory, and dandelion root. The last of which is often used as the primary.

On an attempt to find a coffee clone I liked, I experimented with a dandelion/chicory blend and straight roasted dandelion root. The results were underwhelming. On a later brew-up, I tried a Japanese barley tisane (mugicha) and found it quite delightful. While I didn’t experiment with blending any further, I readily assumed that those three were the magic ingredients for creating the perfect “coffaux”.

Ersatz went a completely different route, sidestepping the barley and dandelion entirely. They kept the chicory – likely for coloring purposes – but used roasted peas and roasted ri-…wait, did I read that right? Roasted rice?

Drat.

If it hasn’t been made apparent, I’m not a fan of rice as a tea additive. Genmaicha – the premier rice-blended green tea – is my least favorite. There’s only been one rice-flavored anything I ever favored drinking, a sticky rice pu-erh, and actual rice wasn’t included. In my palate opinion, rice can only be eaten, not steeped. And, yes, I’m fully aware that I’m in the minority.

To Ersatz’s credit, the blend smelled wonderful. It was equal parts toasty, roasty, earthy, woody, and…well…manly. There was a rough, wildernessy feel to the aroma, like coffee on a campground. Rice was not the dominant presence, nor was the tangy chicory. I hoped that carried through in the taste.

Brewing instructions were dead simple. It was a large teabag, and the ingredients were strong herbals. Great care wasn’t necessary. All I had to do was dunk the bag in a cup of boiled water for three-to-five minutes, and I was done. I tested the bag out at a full five minutes.

The result was a cherry-wood-to-dark-brown liquor with a strong “cooked trail mix” aroma. In all honesty, it didn’t smell like coffee. The smell sort of reminded me of barley but with less emphasis on the roasted characteristics. To the taste, it started out well enough, imparting a toasted/herbal profile but quickly translated into something I didn’t favor. There was the rice, I thought to myself. Two-thirds of the blend was wonderful and almost coffee-like, but the rice-reared finish was off-putting.

Not willing to admit defeat, I dared a second brew-up – this time at the three-minute mark. The liquor infused to the same deep brown but slightly lighter. The aroma was just as toasty as the lengthier infusion but a bit gentler on the nose. The flavor was a welcomed relief. All roasty/toasty beverage, no rice; if there was a rice presence, it was thankfully muted. Toasted veggies, smoked herbs, and an urge to go hiking were the only impressions imparted. The real joy came with the inclusion of milk and stevia. Now that was where it reminded me of coffee. Any faint rice-recoil was permanently subdued by the addition of dairy and sweet things.

I would be hard-pressed to call this end-all/say-all substitute for coffee. Having talked to my fair share of goths, hipsters, clock-punchers, and wired hackers, they will never give up their coffee. Ever. The flavor only leaves a faint impression of the blunt-force wake-up bean. That said, I could see a coffee drinker enjoying it as a nightcap. I certainly did.

But now I have a strange desire to write beatnik poetry…about clones. Why is that?

To buy Ersatz Coffee, go HERE.

Smells Like Pure Nirvana

In Buddhist thought, nirvana is defined as “freedom from suffering”. That doesn’t just mean pain, but rather freedom from the game of life (or “samsara”). It also signifies freedom from the endless cycle of death and rebirth – the ultimate goal for attaining spiritual oneness with all things. The word was also the name of an overrated grunge band from the early 90s that somehow became the voice of “my generation”. Their music symbolized freedom of a different sort.

While nirvana no longer holds the same connotation thanks to that rock-‘n-roll inception, it does still hold significance. Being a thirtysomething with a dubious lot in life, I try to find peace wherever I can get it, preferably not in a harmful and addictive way. Well…one out of two ain’t bad. Oolong may be good for me, but it’s also really addictive. Funny, since I started off hating oolongs.

Ever since learning to brew the semi-oxidized teas in a gaiwan, they’ve become habit forming. Oh, I still prefer my matchas, white teas, and Yunnan golds over ‘em, but I could drink oolongs all day. All. Day. White teas are like Cavendish pipe tobacco. Oolongs are menthol cigarettes.

Thus far my favorites have all come from the isle of Taiwan (or Formosa to the old school sort). Some Chinese ones have proven themselves worthy of multiple sips, but they don’t hold a candle to a high-altitude Bai Hao or Alishan. That said, there was one region that I hadn’t tried oolongs from, even though I’d heard scant mentions of them – Darjeeling. A random message from East Pacific Tea Co. changed all that.

In appearance, their Pure Nirvana bore a striking resemblance to just about every Darjeeling first and second flush OP I’ve ever seen. The color palette ran the gamut from tippy gold to roasted, dark brown. If I was looking at this blind, I would’ve guessed it was an Indian black tea or a Formosa oolong. The aroma was also inviting with its clean, grape-spice profile – almost like a white tea but deeper.

Brewing instructions recommended a steep of three-to-five minutes in 195F water. I agreed with the temperature but not the prep. If it was an oolong, there was only one way I could do it. You guessed it, in a gaiwan. I used 1 heaping teaspoon of leaves , did four successive steeps – first two for thirty seconds, the last for forty – and jotted down my opinions of each. I hoped there were shifts in flavor between them like its Chinese counterparts.

First infusion (thirty seconds): “Holy whoah!” was my first reaction to the scent of this pale, amber-colored infusion. That grape lean I detected on a dry whiff had doubled after brewing. It smelled like a first flush Darjeeling with a muscatel lean. Taste reflected that as well. The only major difference was the roasty finish, reminiscent of other oolongs.

Second infusion (thirty seconds): The liquor was darker this time, taking on a copperish-gold palette. The aroma was deeper on the spice with a slightly nutty trail-off. This echoed as well in the taste with a tamale-esque forefront, followed by a fruity body and a faint astringency on the aftertaste.

Third infusion (forty seconds): Straight amber infusion this time ‘round with a more balanced spice-grape aroma. One nostril note didn’t dominate over the other. The flavor was also more even, if a little more subdued. Heavier fruit taste on the finish, though, and almost no dryness/bitterness.

Fourth infusion (forty seconds): While more bitter than the other three steeps, this was perhaps my favorite. Everything just seemed louder and lovelier from the scent to the flavor. There was also an earthier tone to it, which truly made it an oolong in my eyes.

Pure Nirvana kept its strength for at least three infusions later, never letting up on its muscatel profile for a moment. After a rather long work week, it was truly a pleasure to experience this wonderful oolong. I stayed at home in my pajamas, sipping the day away like some fat, thirtysomething Buddha. And I was happier for it.

For more information on East Pacific Tea Company, go HERE.

To buy Pure Nirvana, go HERE.

I Swoon for Icewine (Tea)

Icewine – or eiswein – is an interesting German peculiarity that appeared on the scene some three hundred years ago. Simply put, white wine grapes were plucked in the middle of winter while the juices inside were still frozen. The sugars within were more concentrated as a result. Creating a batch was a labor-intensive process that wasn’t streamlined until the 1960s. Twenty years later, vineyards in Canada collectively said, “Hey, we’re cold as S**T up here. We can totally make this stuff!” And so they did.

Two years ago, the existence of icewine came to my attention by – of all things – a tea blend I happened by in my usual searches for orthodox beverages. What really impressed me was that it was a white tea/grape fusion; I could think of no more magical a combination. But I was lifted from my reverie with a geeky pang – an urge to look up (and eventually try) actual icewine. I’d never heard of such a libation before.

Two weeks ago, an opportunity to try the dessert wine presented itself at – of all things – a Rapture party. From the first sip on, I was hooked. It tasted like mead only sweeter and more nectar-y. Before I knew it, I’d downed the 16(-ish?)oz. bottle. Solo. Even the one glass that the bottle’s owner didn’t finish. Habit-forming? Understatement.

Unfortunately, having icewine everyday didn’t seem like a healthy prospect in the long run – either for my wallet or my liver. As luck would have it, though, a teashop owner in Ontario – dubbed All Things Tea – presented me with an interesting alternative. An icewine white tea blend. My odd little journey had come full circle.

According to All Things Tea, the ingredients for their white blend were Bai Mu Dan (White Peony), Ontario Icewine, and a touch of Reisling. This differed from other icewine/white blends I read about in that there were no grapes, botanicals or flavoring agents included. I was actually relieved to hear that. While White Peony had a lot of flavor to it, when blended, a subtler scenting process was more complimentary. And by whiff alone, I could tell a devil’s deal was struck.

I can’t say that I smelled much of a white tea presence to this batch, but it certainly lived up to its moniker. It boasted its white wine fragrance loudly and proudly. Notes of sour grape, honey, and a mid-point sweetness clobbered my nostrils as I put nose to bag. Given my experience with actual icewine, I had hoped for exactly that type of bluntness with the blend.

Brewing instructions on the bag recommended 1 heaping teaspoon per 6oz. cup of steaming water and a two-minute wait. I tended to aim for an 8oz. cup o’ tea, so I measured off 1 tablespoon instead and went with a 165F water temperature. After splashdown, I steeped the leaves for a good two-and-a-half minutes. It was White Peony; it could take it.

The liquor brewed to an uncanny deep gold. It looked exactly like white wine, save for a slightly lighter palette. The aroma was both sweet and sour, reminding me a bit of lychee. However, the citrus tone was backed up by a smooth texture that completed the wine-like comparison. Some of the natural grape-iness of the White Peony also made its presence known in the finish.

I found this blend’s true calling when I dabbled with ice and a pint glass. After brewing a concentrate of 2 tbsn. of Peony in 8oz. of hot water, I filled a tall glass with ice, then poured the contents over it and stirred. The lovely gold from the heated brew didn’t dissipate one bit – if anything, it shimmered more. On the lips, it truly reminded me of icewine thanks to a honey-ish lean I hadn’t detected in the hot tea version. After a couple of savored sips, I tested out a dash of stevia. No surprise, it sweetened well, too. This is the perfect iced white for summer. What a shock. All the wine taste with none of the headache.

Mao Feng Gin

Smith Teamaker is slowly becoming my Cheers. It’s the place I go where my name is known, where I’m greeted with a smile, and share a witticism or two about/over tea. It’s a bit of a jaunt from my little ‘burb but worthwhile every time. On one such stop through, I made it a point to try out their Bai Hao Oolong and see if they could answer a pressing question. (“Was Bai Hao Oolong from Taiwan or Fujian Province, China? Seriously, the question’d been bugging me for months.)

I asked the taster room hostess if she knew the answer to my Bai Hao dilemma. She didn’t, but she retreated to the back to talk to one of their master blenders – Tony Tellin. I’d had conversations with Tony before. Great guy. I owe my oolong graduation – from mug to gaiwan – to him. Changed my brewing life, that little lidded cup did. But anyway…

He came out and immediately sidetracked my train of thought with an announcement. A new gin-infused prototype tea was ready. A couple of months back, he allowed me to sample a test-run of some Ti Kwan “Gin” – an oolong soaked in Tanqueray gin for an extended period of time, then re-dried. (My impression of that can be found HERE.) I loved the stuff and found that the natural floral/mineral foretaste complimented the newly-juniper’d body. Tony still felt that the winy top note wasn’t strong enough. Further experimenting was needed.

This time around, he played around with some Mao Feng green tea dipped in Sapphire gin. I assumed he was referring to Bombay Sapphire, but I’m not a gin connoisseur by any stretch. He brewed me a pot, while I smelled the bag. Oh boy, was it stronger on the nostrils than the oolong test! The taste was also stronger. The usual nutty/vegetal front was almost immediately pushed aside by a jolting juniper berry note that lasted to a tapered finish.

While I sampled that, my aforementioned Bai Hao, and later a pot of 1st Flush Darjeeling, he answered my initial query about Taiwanese/Chinese confusion. Bai Hao was Taiwanese, and the Chinese version used Taiwanese techniques. Relieved, enlightened and in dire need of…a different kind of relieving, I made my exit soon after.

Word came over the Twitter pipeline a week later that the final Mao Feng Gin was ready. I had just ended a rather trying day of errand-running, and a hot pot o’ tea sounded like the perfect decompressor. The drive was relatively painless, and I was there in no time for a pre-funk pot o’ Darjeeling. Tony came out a moment later with a 1oz. bag – a warm bag at that. This stuff was literally “hot off the press”. He told me to wait about four hours before sampling it.

I tore into it the next day.

The dry leaves were long, curly and dark green like a standard Mao Feng. The differences on sight were subtle. A part of me thought the leaves were a darker palette than their usual un-“ginned” counterparts; like those included in Smith’s own Mao Feng Shui. The true difference came in the smell. Gin has a very pungent aroma that screams juniper berries and gasoline, and some of that was present in the aroma. First whiff revealed a prologue of buttered/salted veggies but – like the prototype – was immediately pushed aside by a straight juniper-ish tang. It was also a surprisingly damp scent.

I wasn’t quite sure of the best way to brew this. I referred to Smith’s instructions for the Mao Feng Shui as a springboard. They recommended a three-minute steep in 190F water. That seemed a bit high of a temperature, but other Mao Feng brew tips echoed their notes. Even I dared steeps at 180F with Mao Fengs of yesterbrew. I stuck to their approach to the letter – 1 tsp worth in 8oz.

The liquor infused to a pale green with a leafy and berry-ish nose. Unlike with the prototype, it didn’t have the immediate vegetal kick on first sip. The juniper note also didn’t bust the door down, berry guns blazing. Instead, it was smooth yet grassy before transitioning into a citrus-berry-sweet body. The finish possessed an unusual texture – equal parts creamy and swift. In comparison to the Mao Feng Shui, I would have to say I enjoyed this more. The addition of a juniper berry/lemony note gave it a character I found similar to an early spring Long Jing with a hint of lemongrass and almonds. A second infusion brewed up quite well in color, but didn’t have as strong of a gin presence except in the aftertaste; still quite enjoyable, though.

This marks the third of Tony’s gin-infused experiments I’ve tried in a two-month period. While the Ti Kwan “Gin” idea was discarded – and I lament it – I can see how Mao Feng was the stronger candidate. It was a lighter green tea that could easily be improved upon. Mao Feng-style greens were never my favorite; too vegetal for my tastes. But the additional gin-basting gave it that extra oomph to push it into Long Jing/tamaryokucha favorability. I look forward to whatever Tony concocts next.

I’m holding out hope for a Bai Hao Oolong/Gewürztraminer pairing, but that’s just me.

Page 26 of 26

Powered by WordPress & Theme by Anders Norén