Steep Stories

of the Lazy Literatus

Attack of the Coffee Clones

“Ersatz” is a German word that roughly translates to “substitute or replacement”. English speakers adopted it to refer to an inferior copy of something else. The original definition, however, does not indicate that the duplicate need be inferior – merely alike. My first exposure to the word arrived in two different ways the same year – one while reading a textbook (and falling asleep), the other used by a very glib and verbose friend of mine (who made me fall asleep). Of all the scholastically snobby traits I’ve developed, the use of “ersatz” never entered my lexicon. (Although, I still use “lexicon” regularly.)

The unique word was recently adopted by an outfit in Bellefonte, PA., called the Coffee Trade Company. In a “charmingly anachronistic” fashion (their words), they developed a coffee substitute that differed from others on the market. Most coffee subs I’ve encountered contain some combination of three ingredients – barley, chicory, and dandelion root. The last of which is often used as the primary.

On an attempt to find a coffee clone I liked, I experimented with a dandelion/chicory blend and straight roasted dandelion root. The results were underwhelming. On a later brew-up, I tried a Japanese barley tisane (mugicha) and found it quite delightful. While I didn’t experiment with blending any further, I readily assumed that those three were the magic ingredients for creating the perfect “coffaux”.

Ersatz went a completely different route, sidestepping the barley and dandelion entirely. They kept the chicory – likely for coloring purposes – but used roasted peas and roasted ri-…wait, did I read that right? Roasted rice?

Drat.

If it hasn’t been made apparent, I’m not a fan of rice as a tea additive. Genmaicha – the premier rice-blended green tea – is my least favorite. There’s only been one rice-flavored anything I ever favored drinking, a sticky rice pu-erh, and actual rice wasn’t included. In my palate opinion, rice can only be eaten, not steeped. And, yes, I’m fully aware that I’m in the minority.

To Ersatz’s credit, the blend smelled wonderful. It was equal parts toasty, roasty, earthy, woody, and…well…manly. There was a rough, wildernessy feel to the aroma, like coffee on a campground. Rice was not the dominant presence, nor was the tangy chicory. I hoped that carried through in the taste.

Brewing instructions were dead simple. It was a large teabag, and the ingredients were strong herbals. Great care wasn’t necessary. All I had to do was dunk the bag in a cup of boiled water for three-to-five minutes, and I was done. I tested the bag out at a full five minutes.

The result was a cherry-wood-to-dark-brown liquor with a strong “cooked trail mix” aroma. In all honesty, it didn’t smell like coffee. The smell sort of reminded me of barley but with less emphasis on the roasted characteristics. To the taste, it started out well enough, imparting a toasted/herbal profile but quickly translated into something I didn’t favor. There was the rice, I thought to myself. Two-thirds of the blend was wonderful and almost coffee-like, but the rice-reared finish was off-putting.

Not willing to admit defeat, I dared a second brew-up – this time at the three-minute mark. The liquor infused to the same deep brown but slightly lighter. The aroma was just as toasty as the lengthier infusion but a bit gentler on the nose. The flavor was a welcomed relief. All roasty/toasty beverage, no rice; if there was a rice presence, it was thankfully muted. Toasted veggies, smoked herbs, and an urge to go hiking were the only impressions imparted. The real joy came with the inclusion of milk and stevia. Now that was where it reminded me of coffee. Any faint rice-recoil was permanently subdued by the addition of dairy and sweet things.

I would be hard-pressed to call this end-all/say-all substitute for coffee. Having talked to my fair share of goths, hipsters, clock-punchers, and wired hackers, they will never give up their coffee. Ever. The flavor only leaves a faint impression of the blunt-force wake-up bean. That said, I could see a coffee drinker enjoying it as a nightcap. I certainly did.

But now I have a strange desire to write beatnik poetry…about clones. Why is that?

To buy Ersatz Coffee, go HERE.

Smells Like Pure Nirvana

In Buddhist thought, nirvana is defined as “freedom from suffering”. That doesn’t just mean pain, but rather freedom from the game of life (or “samsara”). It also signifies freedom from the endless cycle of death and rebirth – the ultimate goal for attaining spiritual oneness with all things. The word was also the name of an overrated grunge band from the early 90s that somehow became the voice of “my generation”. Their music symbolized freedom of a different sort.

While nirvana no longer holds the same connotation thanks to that rock-‘n-roll inception, it does still hold significance. Being a thirtysomething with a dubious lot in life, I try to find peace wherever I can get it, preferably not in a harmful and addictive way. Well…one out of two ain’t bad. Oolong may be good for me, but it’s also really addictive. Funny, since I started off hating oolongs.

Ever since learning to brew the semi-oxidized teas in a gaiwan, they’ve become habit forming. Oh, I still prefer my matchas, white teas, and Yunnan golds over ‘em, but I could drink oolongs all day. All. Day. White teas are like Cavendish pipe tobacco. Oolongs are menthol cigarettes.

Thus far my favorites have all come from the isle of Taiwan (or Formosa to the old school sort). Some Chinese ones have proven themselves worthy of multiple sips, but they don’t hold a candle to a high-altitude Bai Hao or Alishan. That said, there was one region that I hadn’t tried oolongs from, even though I’d heard scant mentions of them – Darjeeling. A random message from East Pacific Tea Co. changed all that.

In appearance, their Pure Nirvana bore a striking resemblance to just about every Darjeeling first and second flush OP I’ve ever seen. The color palette ran the gamut from tippy gold to roasted, dark brown. If I was looking at this blind, I would’ve guessed it was an Indian black tea or a Formosa oolong. The aroma was also inviting with its clean, grape-spice profile – almost like a white tea but deeper.

Brewing instructions recommended a steep of three-to-five minutes in 195F water. I agreed with the temperature but not the prep. If it was an oolong, there was only one way I could do it. You guessed it, in a gaiwan. I used 1 heaping teaspoon of leaves , did four successive steeps – first two for thirty seconds, the last for forty – and jotted down my opinions of each. I hoped there were shifts in flavor between them like its Chinese counterparts.

First infusion (thirty seconds): “Holy whoah!” was my first reaction to the scent of this pale, amber-colored infusion. That grape lean I detected on a dry whiff had doubled after brewing. It smelled like a first flush Darjeeling with a muscatel lean. Taste reflected that as well. The only major difference was the roasty finish, reminiscent of other oolongs.

Second infusion (thirty seconds): The liquor was darker this time, taking on a copperish-gold palette. The aroma was deeper on the spice with a slightly nutty trail-off. This echoed as well in the taste with a tamale-esque forefront, followed by a fruity body and a faint astringency on the aftertaste.

Third infusion (forty seconds): Straight amber infusion this time ‘round with a more balanced spice-grape aroma. One nostril note didn’t dominate over the other. The flavor was also more even, if a little more subdued. Heavier fruit taste on the finish, though, and almost no dryness/bitterness.

Fourth infusion (forty seconds): While more bitter than the other three steeps, this was perhaps my favorite. Everything just seemed louder and lovelier from the scent to the flavor. There was also an earthier tone to it, which truly made it an oolong in my eyes.

Pure Nirvana kept its strength for at least three infusions later, never letting up on its muscatel profile for a moment. After a rather long work week, it was truly a pleasure to experience this wonderful oolong. I stayed at home in my pajamas, sipping the day away like some fat, thirtysomething Buddha. And I was happier for it.

For more information on East Pacific Tea Company, go HERE.

To buy Pure Nirvana, go HERE.

“Thé”-ater: Tea Time at the Movies

My mother is an idea gal – always has been. The part that’s most frustrating – especially for me, the eldest of her brood – is that she is right 90% of the time. I think she missed her calling as the head of a newspaper, the magnate of an advertising agency or the moderator for a think tank. Her braingems should be bottled and sold on the black market for six figures. I say this because…well…she’s the reason this entry exists.

One phrase from her, just one phrase: “You should do movie reviews with tea.”

At first I scoffed at the idea, but then I tossed it around in my head (over a cup of tea). I thought back to the last few summer movies I’d seen, mulled over my opinions but also what teas I felt like drinking after them. Surprisingly, finding matches didn’t take that long.

Here are my thoughts:

 

Thor

I was not excited for this movie at all when I first saw the trailer. It resembled Flash Gordon by way of Iron Man – cheesy but visceral. The choice for director also made my brow furrow. What did Kenneth Branagh know about directing a comic book movie?! Granted, he could easily pull off “EPIC!” if he had, too…but a Space Viking movie? Secondly, it was Thor. I don’t know anyone that cares about the wing-helmeted thunder god.

What gave me some measure of hope was the writer who penned the script. I was already a fan of J. Michael Straczynski from his five-year magnum opus, Babylon 5. He also had extensive experience as a comic book writer. If anyone could make the foundation translate to cinema, he could. And, boy, did he.

The combination of tongue-in-cheek, fish-outta-water, and Shakespearean posturing made this one of the most entertaining trips to the multiplex in some time. Marvel really knows how to dial up the “FUN” factor for an intro to summer. In hindsight, nothing much appeared to happen, but I look back on it fondly.

Tea Match: “Golden-Tipped Assam”

Assams tend to be thick, malty teas usually used as the base for wake-up breakfast blends. Tippier Assams – I’ve found – possess a honey-like texture to them, similar to a Golden Yunnan. That smooth sweetness along with the burly malt bite are a good compliment to a movie featuring a golden-haired, muscle-bound god with a ridiculously large hammer.

 

Pirates of the Caribbean: On Stranger Tides

The first Pirates of the Caribbean did the impossible; it was a well-crafted and witty movie inspired by a theme-park ride and single-handedly brought back the swashbuckler. To that, I say, “Bravo.” Unfortunately, that movie had siblings. Snot-nosed, whiny, fat, bloated siblings. The two follow-ups were a complete and utter mess. They were well executed, special effects were top-notch, but the story (or what passed for one) was pure seagull splatter. I was not looking forward to a fourth outing.

On a whim, I caught a late showing of On Stranger Tides and found myself…not hating it. Oh, it was still as drivel-ish as her two predecessors, it looked cheaper than it was, and making Cap’n Jack Sparrow a protagonist was a horrible idea, but it at least tried to match the medium scale and old-school feel of the first one. I won’t see it again, but it didn’t leave a poor taste in my mouth.

Tea Match: “Kombucha”

No, I don’t mean the bacterially-cultured “mushroom tea”. Kombu is the Japanese word for “kelp or seaweed”. I personally haven’t had it, but I’ve eaten the key ingredient. Kelp has a very sweetly vegetal, salty profile, and I assume the same could be said for its infused namesake. Unfortunately, it shares the name with another “tea” that utilizes steeped bacteria…and tastes like iced vinegar. Seeing a fourth Pirates movie was exactly like that name/flavor confusion – a well-meaning but unfortunately-named oddity.

 

Kung Fu Panda 2

The first Kung Fu Panda was lightning in a f**king bottle. It succeeded with what it set out to do – tell a story of a kung fu fanboy given the opportunity to be martial arts legend. That premise alone is every chop-socky geek’s wet dream. The fact that it also stayed true to the trappings of the martial arts genre helped it to transcend its Dreamworks label. Thankfully, it was also successful with mainstream audiences. (It starred a panda; this was a given.)

A sequel was inevitable, and Dreamworks was hit-or-miss with animated follow-ups. I hoped they’d learned their lesson from the last three Shrek movies. In my opinion, they succeeded. KP2 continues where its predecessor left off and explores its protagonist’s background – one that is steeped in prophecy and folklore. I even got a little man-teary towards the end, a good sign.

Tea Match: “Keemun Hao Ya B (with cream and sugar)”

Keemun is a Chinese black (or “red”) tea with an interesting flavor profile. It is almost as malty as an Assam, but also possesses shades of sweetness and smokiness. If done right, it brews to a bold crimson and – when sipped slowly – imparts its nuances gradually. Hoa Ya is a grade known for its silver tippy buds and delicate delivery. The “B” sub-variety tends to be a tad more rough around the edges – as is Kung Fu Panda 2 in comparison to its predecessor. But it takes cream and sugar well, making it more palatable for the kiddies.

X-Men: First Class

Like the Pirates of the Caribbean movies, X-Men suffered from a severe case of Sh**ty-Sequelitis. Well, third time’s a charm, according to the Powers That Be. However, to justify the existence of yet another prequel after the disastrous Wolverine movie, some major liberties had to be taken. In a brilliant move, they adopted a typical comic book motif to do this. They ret-conned and pretended the last two X-movies never existed.

For the most part, the maneuver paid off. While none of the secondary ensemble characters do much in the movie other than look badass or attractive, the dynamic between a young, brash Charles Xavier and a hot-headed (but suave) Erik Lensherr – soon-to-be Professor X and Magneto, respectively – is surprisingly well-crafted. There are plot-holes abound, special effects misfires, and some dreadful acting from a certain blonde that makes Keanu look nuanced. All said, it holds up well. Time will tell if it’s as memorable as the first two.

Tea Match: “English Breakfast (with a blended Keemun/Assam base)”

There is no set recipe for English Breakfast; the only adherence that must be made is to its strength. The blend should zing! you awake in a matter of sips. Tasting good is optional. I’ve heard some schools of thought state that Keemun is the preferred foundation, while others say Assam. What is agreed upon is that it must have an ensemble of ingredients that jolt the drinker upright. EB does this, and so does the new X.

 

Super 8

MOAR LENSFLARE!!!”…seems to be the battle-cry of writer-director-producer-mindf**ker, J.J. Abrams. I’m not sure when this cinematographic calling card began, but it was most apparent in his reboot of the Star Trek franchise. In Super 8, he tones the flare down a bit but keeps just enough to give the movie a retro feel – as was his intention. This pays homage to the Steven Spielberg sci-fi flicks he grew up with and it shows.

All the ingredients are there: Unseen monster from space? Check. Comedy relief in the form of a high-voiced fat kid? Check. Shadowy military conspiracy? Check. Coming of age romance? Check. Mix and serve. If it had one major flaw – and it’s a doozie – it’s that the movie has no real identity. The strongest parts were the Spielbergian/kiddie character scenes. Everything else seemed “meh” by comparison. This could’ve been a true 80s sci-fi send-up if it weren’t so schizophrenic.

Tea Match: “Matcha-Iri Genmaicha”

I love matcha (Japanese powdered tea), but I loathe genmaicha (Japanese “poor man’s” tea…blended with rice). Put the two together, and you have something that I begrudgingly enjoy. The nuttiness of the rice is downplayed by the kelp-like sweetness of the matcha. The blend is even better if the green tea base is a higher-grade sencha rather than crude bancha. This is as conflicted a blend as the elements of Super 8 are. Parts work, parts don’t. The experience is watchable/drinkable, pretty to look at, but – in the end – forgettable.

 

To conclude, I had way too much fun doing this. My mother’s brain wins again. The summer’s still young, and I can’t wait to ponder what brews up well with other blockbusters. I wonder if I could sneak a teapot into the theater. Hrm. Probably a subject for another blog.

I Swoon for Icewine (Tea)

Icewine – or eiswein – is an interesting German peculiarity that appeared on the scene some three hundred years ago. Simply put, white wine grapes were plucked in the middle of winter while the juices inside were still frozen. The sugars within were more concentrated as a result. Creating a batch was a labor-intensive process that wasn’t streamlined until the 1960s. Twenty years later, vineyards in Canada collectively said, “Hey, we’re cold as S**T up here. We can totally make this stuff!” And so they did.

Two years ago, the existence of icewine came to my attention by – of all things – a tea blend I happened by in my usual searches for orthodox beverages. What really impressed me was that it was a white tea/grape fusion; I could think of no more magical a combination. But I was lifted from my reverie with a geeky pang – an urge to look up (and eventually try) actual icewine. I’d never heard of such a libation before.

Two weeks ago, an opportunity to try the dessert wine presented itself at – of all things – a Rapture party. From the first sip on, I was hooked. It tasted like mead only sweeter and more nectar-y. Before I knew it, I’d downed the 16(-ish?)oz. bottle. Solo. Even the one glass that the bottle’s owner didn’t finish. Habit-forming? Understatement.

Unfortunately, having icewine everyday didn’t seem like a healthy prospect in the long run – either for my wallet or my liver. As luck would have it, though, a teashop owner in Ontario – dubbed All Things Tea – presented me with an interesting alternative. An icewine white tea blend. My odd little journey had come full circle.

According to All Things Tea, the ingredients for their white blend were Bai Mu Dan (White Peony), Ontario Icewine, and a touch of Reisling. This differed from other icewine/white blends I read about in that there were no grapes, botanicals or flavoring agents included. I was actually relieved to hear that. While White Peony had a lot of flavor to it, when blended, a subtler scenting process was more complimentary. And by whiff alone, I could tell a devil’s deal was struck.

I can’t say that I smelled much of a white tea presence to this batch, but it certainly lived up to its moniker. It boasted its white wine fragrance loudly and proudly. Notes of sour grape, honey, and a mid-point sweetness clobbered my nostrils as I put nose to bag. Given my experience with actual icewine, I had hoped for exactly that type of bluntness with the blend.

Brewing instructions on the bag recommended 1 heaping teaspoon per 6oz. cup of steaming water and a two-minute wait. I tended to aim for an 8oz. cup o’ tea, so I measured off 1 tablespoon instead and went with a 165F water temperature. After splashdown, I steeped the leaves for a good two-and-a-half minutes. It was White Peony; it could take it.

The liquor brewed to an uncanny deep gold. It looked exactly like white wine, save for a slightly lighter palette. The aroma was both sweet and sour, reminding me a bit of lychee. However, the citrus tone was backed up by a smooth texture that completed the wine-like comparison. Some of the natural grape-iness of the White Peony also made its presence known in the finish.

I found this blend’s true calling when I dabbled with ice and a pint glass. After brewing a concentrate of 2 tbsn. of Peony in 8oz. of hot water, I filled a tall glass with ice, then poured the contents over it and stirred. The lovely gold from the heated brew didn’t dissipate one bit – if anything, it shimmered more. On the lips, it truly reminded me of icewine thanks to a honey-ish lean I hadn’t detected in the hot tea version. After a couple of savored sips, I tested out a dash of stevia. No surprise, it sweetened well, too. This is the perfect iced white for summer. What a shock. All the wine taste with none of the headache.

Smoked Lapsang Porter – A (Manly) Tea-Beer Experiment

Back in April, a few of us in the Tea Twitterverse bestowed the rank of “manliest tea” (oft-considered a contradiction) on Lapsang Souchong. We even postulated on effects said smoked tea had on the unwitting imbiber. The Chuck Norissian dialogue that ensued was also the source of inspiration for my first foray into “tea fiction” – The Legend of Lapsang. I won’t pretend it was a good story by any manly measure, but it got the point across.

Lapsang Souchong – in Fukienese, “smoky sub-variety” – is a black tea from Mount Wuyi, Fujian province, China. The region is mostly known for producing high-grade, high-altitude oolongs. The black tea is made from the “Bohea” leaf cultivar, but its true uniqueness comes from the way it’s processed during drying. There are several origin stories of how this technique came about; whichever one is true, the effect is the same. The tea leaves are placed on pinewood fires and smoked. The result is a tea with a smell of hickory and a taste of campfire. In short, a very MANLY taste…but enough of the Tea 101.

I was inspired by a post made by the “teaviants” over at The Tea Blag to do an experiment with Lapsang Souchong and alcohol – my fifth of this sort. I had fused tea concentrates with beer on a few occasions and even wrote about two of the most successful attempts. I’m not sure what brought about this brainfart, but it was high-time to do another. For this round, I meant to combine a smoked porter with the infamous smoked tea.

Finding the beer I needed didn’t take long thanks to the Almighty Google. Stone Brewing was an op out of my old haunt of San Diego, CA. I never visited their actual HQ, but their products were quite known to me – particularly the delicious Arrogant Bastard ale. Among their wares was a Smoked Porter, and they described it as, “dark, smooth and complex, with rich chocolate and coffee flavors balanced by a subtle smokiness.” Sounded like a perfect match for what I had in mind.

I brewed the concentrate like I always did for tea-beers and/or iced tea – 2 tsp. worth of leaves in 8oz of water, Russian zavarka-style. The porter was kept on ice until the tea had about five minutes of steep under its leather-scented belt. It didn’t quite darken as much as I thought it would; Lapsang Souchong usually took on the color of crimson and “quantum singularity”. One could see their soul practically disappear into the brew. I wondered if it’d be strong enough to handle the porter.

Lastly, I whipped out a pint glass and poured the Stone Smoked Porter into half of it. When the tea was done fermenting its death brew, I plopped my ailing/aging Teavana steeper cup above the pint glass to drain. (Sidenote: That very steeper committed seppuku a week later.) Alchemy commenced as the contents collided. The void-black liquor didn’t water down or dissipate at all on splashdown. It was like staring into an alcoholic abyss.

To my surprise, the mixture didn’t bubble up on contact like with other tea-beer fusions. The porter’s foamy head remained as thick and even as it had before the tea inclusion. The concoction did threaten to envelop the spoon I used to stir the drink o’ damnation. I felt like an apothecary over a cauldron in some long-winded sci-fantasy novel.

Now, to taste…

The first thing I noticed when I put lips to glass was how lukewarm it was. Tea-beer experiences of past attempts yielded a brew with an average temperature of 150F-160F. That was one of the best parts of the combination, a warm beer that was still foamy and nowhere-near-flat. While this certainly wasn’t flat, it was maybe room temperature at best. Not exactly a bad thing. Dark beers were great at room temperature.

Secondly, the palette and palate; it was as black as night. I expected the porter to dominate the tea addition by a fair margin. Holy Hell, was I ever wrong! The mahogany, robust chocolaty notes of the porter were present only – and I do mean, only – on the initial sip. The rest – from top note to finish – tasted like charcoal, brimstone aftermath, death-by-Armageddon, post-war campfire, and nuclear fallout…with a floral finish.

I cocked an eyebrow, then the other. I think I twitched a little. My throat felt cold “burning”. The sensation trailed down to my stomach. Gurgling could be heard and felt. Some semblance of unrest was a-brewing deep within my abdomen. I pictured smoke-billowing hellhounds wreaking havoc on my intestines. I asked myself, Do I need to take a dump?

Before answering the questionable call of the wild, I coaxed my brother into trying the hellish hybrid. He sipped, he pursed his lips, and he pondered. Then he froze.

“It tastes like…ash,” he said flatly.

And after that second opinion, I entertained the “number two” that demanded my immediate attention. Once that was done, I came to the conclusion that this was perhaps too much manliness for one drink to possess. Either that or my sensibilities were far too delicate to handle the sheer potency of so firestormy a fusion. From a connoisseur’s critical tongue, it tasted awful. From a testosteronal standpoint, it was a necessary trial by fire.

I will say this. After finishing the last of the pint, I did feel like I could wrestle a bear. Unfortunately, one was not present. There was, however, a Saint Bernard puppy nearby. Close enough.

From Opium to Oolong – Tea from Thailand

When I thought of Thailand in terms of tea, the only ones that came to mind were Thai sweet tea and Boba (or “bubble”) tea. The former of which was a glass of sugar with a little bit of tea in it;  the latter I hated beyond measure. (Tapioca belonged in pudding…not tea.) As a result, it was easy to dismiss Thai tea culture as something only spoken of in giggle-fitted whispers.

A travel blog posted by Leafjoy corrected my preconceived notions by relating a rather interesting story. Apparently, in Northern Thailand – a place that’d become a tribal melting pot – they grew their own tea. Chiang Rai province was infamous for it’s old cash crop standby – poppies, the primary ingredient for opium. That had since changed to more orthodox offerings such as fruit and tea plants. The entry arched my “Tea WANT!” eyebrow. I hate it when it arches.

Courtesy of Leafjoy.com

I figured that acquiring some in recent months would be a distant and unlikely possibility, but serendipity had other things in store. On my Smith Teamaker jaunt to pick up the new Mao Feng Gin, I ran into Steven Smith himself.

“I have something you have to try,” he said.

He brought out a green bag adorned in Asiatic lettering and poured out some blue-green, balled oolong-ish leaves. The “blue tea” – as he called it – was given to him as a sample from a business contact in Canada. Said contact was curious if Smith wanted to carry it. In turn, he was curious what I thought of it. Neither of us were quite sure what the “blue tea” moniker meant, though. Steven also didn’t have any other details for me other than the tea itself and the growing region (Doi Tung). I thanked him profusely and went home to do a little digging and brewing.

The blue tea search left me quite stumped, however. I could find no mention of blue tea other than a listing on the Mariage Frères site for an “Opium Hill” tea. It looked the same as the sample I received from Smith. Unfortunately, their information on it – other than being of Thai origin – was sparse.

Dejected, I did what any tea geek would do in that situation. I turned to a more well-versed and aptly-named Tea Geek. He informed me that blue tea (or “qingcha”) was another given name for wulong/oolong. It was a blanket category for all semi-oxidized teas because of the blue-ish hue they take on after drying. It was a bit of a misnomer, much like the Western “black tea” label.

The leaves for this were “tricksy” in their appearance. On sight alone, they looked like any normal green-style oolong I came across. The semi-oxidized, blue-green color, and the ball-fisted rolling technique were not too different from Chinese or Taiwanese oolongs. If I didn’t know any better, I would say I was looking at a Bai Hao/Oriental Beauty – a light-roasted one at that. What informed me that I was dealing with something completely different was the aroma. I smelled berries; rather, three distinct ones – strawberries, grapes, and blueberries – fused together. It was like wrapping a Fruit Roll-Up around one’s nose.

Given the entirely new experience on sight and smell, there was no specific brewing template to go by. A good default with an aromatic, light-roasted oolong was multiple infusions in a gaiwan with 190F water. Basically, gongfu-style but less formal. I did exactly that with four steeps – two at thirty seconds, two at forty – 1 tsp. worth of leaf-balls.

First infusion (thirty seconds): I’ll be honest, it sorta smelled like pondwater. The liquor also looked river-green. The taste, however – while possessing a vegetal forefront – transitioned  to a wonderfully floral body and a subtle fruit finish.

Second infusion (thirty seconds): This time the liquor took on a brighter color and a more aromatic scent – buttery like lotus blossoms. The floral character also echoed in the taste but with something more akin to jasmine. That could’ve been the somewhat dry forefront. The mid-body was more melon-like this time, very even in comparison to the first. What little aftertaste there was passed by with a smooth texture.

Third infusion (forty seconds): Same visual palette but with an indiscernible nose. It was neither an earthy or floral scent but rather something “clean”. In sharp contrast, the taste took on the berry notes I detected in the dry, fisted leaves. Very prevalent in the middle. Again, the aftertaste tapered off pleasantly.

Fourth infusion (forty seconds): The liquor color had lightened significantly to a pale yellow, more in line with some spring flush green teas. The taste still had plenty to offer, though. It alternated between fruity, creamy and floral – like a grape that’d been dipped in honey-vanilla and wrapped in petals for warmth. The finish possessed more of a vegetal kick, signifying that it was almost at the end of its yield.

This Thai goodie didn’t fade, though, until about infusion #7, much to my surprise. The flavor remained pretty even throughout, no major detractions from its original smoothness. That and it never took on the metallic astringency of an over-brewed Ti Kwan Yin.

While the initial steam aroma was off-putting on the first infusion, this was a very reliable introductory oolong. I’m not sure it would hold up in a taste-test against a good Wu Yi or Ali Shan, but right out of the starting gate, I’d say Thailand is off to a damn good start. This was the Shiraz of oolongs.

Special Thanks to:

Smith Teamaker – For providing the sample, and for terrific tea talk. I always feel at home there.

Michael J. Coffey (purveyor of TeaGeek.net) – For having the world’s most magnificently ironic name ever, and for clearing up the “blue” debacle. He’s a fountain of tea knowledge.

Leafjoy – For their informative tea blog and for giving me permission to use one of their photographs.

Mao Feng Gin

Smith Teamaker is slowly becoming my Cheers. It’s the place I go where my name is known, where I’m greeted with a smile, and share a witticism or two about/over tea. It’s a bit of a jaunt from my little ‘burb but worthwhile every time. On one such stop through, I made it a point to try out their Bai Hao Oolong and see if they could answer a pressing question. (“Was Bai Hao Oolong from Taiwan or Fujian Province, China? Seriously, the question’d been bugging me for months.)

I asked the taster room hostess if she knew the answer to my Bai Hao dilemma. She didn’t, but she retreated to the back to talk to one of their master blenders – Tony Tellin. I’d had conversations with Tony before. Great guy. I owe my oolong graduation – from mug to gaiwan – to him. Changed my brewing life, that little lidded cup did. But anyway…

He came out and immediately sidetracked my train of thought with an announcement. A new gin-infused prototype tea was ready. A couple of months back, he allowed me to sample a test-run of some Ti Kwan “Gin” – an oolong soaked in Tanqueray gin for an extended period of time, then re-dried. (My impression of that can be found HERE.) I loved the stuff and found that the natural floral/mineral foretaste complimented the newly-juniper’d body. Tony still felt that the winy top note wasn’t strong enough. Further experimenting was needed.

This time around, he played around with some Mao Feng green tea dipped in Sapphire gin. I assumed he was referring to Bombay Sapphire, but I’m not a gin connoisseur by any stretch. He brewed me a pot, while I smelled the bag. Oh boy, was it stronger on the nostrils than the oolong test! The taste was also stronger. The usual nutty/vegetal front was almost immediately pushed aside by a jolting juniper berry note that lasted to a tapered finish.

While I sampled that, my aforementioned Bai Hao, and later a pot of 1st Flush Darjeeling, he answered my initial query about Taiwanese/Chinese confusion. Bai Hao was Taiwanese, and the Chinese version used Taiwanese techniques. Relieved, enlightened and in dire need of…a different kind of relieving, I made my exit soon after.

Word came over the Twitter pipeline a week later that the final Mao Feng Gin was ready. I had just ended a rather trying day of errand-running, and a hot pot o’ tea sounded like the perfect decompressor. The drive was relatively painless, and I was there in no time for a pre-funk pot o’ Darjeeling. Tony came out a moment later with a 1oz. bag – a warm bag at that. This stuff was literally “hot off the press”. He told me to wait about four hours before sampling it.

I tore into it the next day.

The dry leaves were long, curly and dark green like a standard Mao Feng. The differences on sight were subtle. A part of me thought the leaves were a darker palette than their usual un-“ginned” counterparts; like those included in Smith’s own Mao Feng Shui. The true difference came in the smell. Gin has a very pungent aroma that screams juniper berries and gasoline, and some of that was present in the aroma. First whiff revealed a prologue of buttered/salted veggies but – like the prototype – was immediately pushed aside by a straight juniper-ish tang. It was also a surprisingly damp scent.

I wasn’t quite sure of the best way to brew this. I referred to Smith’s instructions for the Mao Feng Shui as a springboard. They recommended a three-minute steep in 190F water. That seemed a bit high of a temperature, but other Mao Feng brew tips echoed their notes. Even I dared steeps at 180F with Mao Fengs of yesterbrew. I stuck to their approach to the letter – 1 tsp worth in 8oz.

The liquor infused to a pale green with a leafy and berry-ish nose. Unlike with the prototype, it didn’t have the immediate vegetal kick on first sip. The juniper note also didn’t bust the door down, berry guns blazing. Instead, it was smooth yet grassy before transitioning into a citrus-berry-sweet body. The finish possessed an unusual texture – equal parts creamy and swift. In comparison to the Mao Feng Shui, I would have to say I enjoyed this more. The addition of a juniper berry/lemony note gave it a character I found similar to an early spring Long Jing with a hint of lemongrass and almonds. A second infusion brewed up quite well in color, but didn’t have as strong of a gin presence except in the aftertaste; still quite enjoyable, though.

This marks the third of Tony’s gin-infused experiments I’ve tried in a two-month period. While the Ti Kwan “Gin” idea was discarded – and I lament it – I can see how Mao Feng was the stronger candidate. It was a lighter green tea that could easily be improved upon. Mao Feng-style greens were never my favorite; too vegetal for my tastes. But the additional gin-basting gave it that extra oomph to push it into Long Jing/tamaryokucha favorability. I look forward to whatever Tony concocts next.

I’m holding out hope for a Bai Hao Oolong/Gewürztraminer pairing, but that’s just me.

American Tea (F**K Yeah!)

“Amerikuh” – land of the free, home of the Braves.

Er, I mean, brave. Yep, that’s the ticket. Although, given our predilection for sports worship, I suppose both would apply.

Our plot of land across the Atlantic pond is known for many things – revolution, industry, questionable fashion sense, food that can kill you, and monopolies. However, one thing has eluded us for so many years, and the country as a whole doesn’t seem to mind. Blame that on one incident three hundred years ago where we threw a perfectly good batch of [something] over a perfectly good harbor. (Then promptly switched to coffee.) Yeah, that’s right. Most Americans simply don’t give a s**t about tea.

Oh sure, the South siphons sweetened iced tea by the keg, but they do so without regard to quality. If it blackens quickly and can hold up to sugar, nobody cares. A-MURR-ica’s mainstay morning beverage was and is coffee. Tea took a distant backseat, forever labeled as a drink for retired women in red hats and little girls with teddy bears.

That didn’t stop some industrious types from giving tea growth a try, though. With a full-fledged Tea Renaissance underway in the States in recent years, it seems as good a time as any to highlight some efforts to make it a cash crop. Some are old hands, some are new. All are as American as apple pie (which -incidentally – is a British innovation from the 1300s, but no matter…)

Earliest attempts to cultivate Camellia sinensis in the U.S. date back to 1744. Seeds were imported from China and planted in Georgia and South Carolina. Both states were deemed ideal environments for cultivation, but their respective climates were erratic. The first successful crop was reported in 1772, but it wasn’t triumphant enough to justify forming an industry around it. The labor intensiveness required was astronomical. Supply versus demand at its finest.

The Charleston Tea Plantation

In 1888, Dr. Charles Shepard founded a tea garden in Summerville, South Carolina called the Pinehurst Tea Plantation. The venture sold American-grown tea until his death in 1915. The garden fell into disrepair soon after and the plants grew wild for nearly five decades. In 1963, the Lipton folks acquired the garden and transferred many of the plants to an old potato farm on Wadmalaw Island. Their reason for the venture was to offset dubious political situations in Third World countries where most orthodox teas were grown.

The guinea pig operation remained in Lipton hands until 1987 when it was acquired by a former tea taster and another gentleman. They sidestepped the labor costs by using a converted tobacco picker to harvest the two leaves and buds necessary for tea. They sold their wares via mail order and through the Sam’s Club chain. Both teas put out by the plantation were American Classic and Sam’s Choice. The former of which also went on to be a Walmart “signature blend” and the official tea of the White House (an honor it still holds).

In 2003, the plantation was sold to the Bigelows (the Constant Comment folks). The doors reopened in 2006. Originally, American Classic was blended with other black teas. Reason? Not enough tea was produced at the plantation to create a “single estate” batch. That no longer seems to be the case.

The Charleston Tea Plantation now puts out a wide range of solely South Carolina-grown wares, including green  tea and a revamped American Classic offering. I’ve had the pleasure of trying this and their Governor Gray blend, a redux of the old Earl Grey formula (with a proper A-MURR-ican spelling).

My opinion on American Classic can be found HERE.

My thoughts on Governor’s Gray can be found HERE.

More information on the plantation can be found HERE.

Sakuma Bros.

Funny story. Three years ago – roughly around the time I learned of the Charleston Tea Plantation – I made a jaunt to Foxfire Teas with my mother. I’m not exactly sure what sparked the conversation, but I chatted with the co-founder about ideal tea growing land. I argued that only the Atlantic Southwest had the right conditions tailored for tea; I also lamented that tea couldn’t grow in Oregon.

The guy at the desk shook his head. “Yeah, it can.”

“How? We’re not subtropical,” I said.

“See that tree?” He pointed at an unassuming shrub by the shop’s front door. “That’s a tea plant.”

Mind. Blown.

I went home and gave it some further thought. Oregon – and, by extension, Washington – had a similar environment to Japan. Both territories even shared similar flora. Japan had grown its own tea for centuries. It wasn’t outside the realm of possibility that Oregon and Washington could as well.

And, lo and behold, it was a fourth generation Japanese American outfit that proved it was possible. Sakuma Bros., Inc. has been in the fruit and berry trade – in one fashion or another – since 1915. Within the last ten years or so they ventured into tea growing. Nearly 5 acres of land are devoted to tea. Three types are produced at their Skagit Valley farm – a green, a white, and an oolong. Of the three, I purchased – and loved – the white tea they put out.

My impressions of their Sun Dried White Tea can be found HERE.

For more information on Sakuma Tea, go HERE.

Hawaii-Grown

While not technically the U.S. mainland – and not an official state until 1959 – it still counts for the purposes of this write-up as A-MURRca, gash-durrnit!

Believe it or not, tea was actually grown and sold commercially from the Hawaiian islands as early as 1892. Reasons for it ceasing are a mystery, but it likely had something to do with American tea consumption (i.e. didn’t exist). That didn’t stop the Lipton Empire from looking into it, however, before defaulting on Latin American countries as their tea back-up.

Yeah, real stable economies there, Big L.

At the turn of the 21st century, though, a horticulturalist partnered with the University of Hawaii at Manoa to research tea cultivation on the islands. A strain of tea plant was found to flourish. Around the same time, independent farmers in Hawaii were growing their own tea from different varietals. Reason being, sugarcane in Hawaii took a nosedive with the advent of corn syrup (yay, fructose!), and tea was seen as a hopeful alternative.

Farmers banded together into their own collective called the Hawaiian Tea Society in 2004. By 2008, the land devoted to growing tea had tripled. A delegation of various growers, producers and retailers made a splash at the 2010 World Tea Expo in Las Vegas. I wish I’d gone.

Five months ago, through a tea swap with a Steepster friend, I was able to get a hold of some Hawaii-grown black tea put out by Samovar. The stuff retailed for $25 an ounce (!!!), and she’d imparted to me at least a quarter of that. It was highly unusual but almost worth the price of sipping.

My thoughts on that can be found HERE.

A List of Hawaii-Grown Tea Retailers (That I Know of)

Samovar – Carries the Hawaii-Grown Black I tried, as well as an oolong.

Narien Teas – Carries a Hawaii-grown green called Kilinoe.

Mauna Kea Tea – Grower and seller of single estate green tea and oolong.

Tea Hawaii – While not a direct seller of tea, these folks own their own garden and offer tours of it. They are also the producers of Samovar’s Hawaii-Grown Black (also called Mauka Black).

(Note: There are likely more that I’ve missed.)

Conclusion

Both tea appreciation and industry are still in their infancy in the U.S. Regardless, active and passionate efforts are being made to correct this. The results I’ve sipped so far have been spectacular, and – for the most part – affordable. I look at it this way: There’s a bit of an “anything-you-do-I-can-do-better” philosophy at play here – one I agree with.

Some would say that the best the U.S. has to offer still doesn’t compare to the tried-and-true tea practices of the Old World. To that I say, look how far we’ve come in only a hundred years? Looks to me like we’re doin’ purty good. Our D-student can beat up your A-student.

F**k yeah.

Hello world!

There is going to be a blog here…at some point.

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