of the Lazy Literatus

Category: Tea Features Page 16 of 26

I don’t call these tea reviews, but rather tea features. Reason being, I don’t devote insane amounts of effort to negativity.

That and life is too short for a bad cup of tea.

Having Oolong Ice Cream Every Which Way

Several weeks ago, I made a trip to Smith Teamaker’s to try out some new tea concoctions they were working on. Tony Tellin, the lead blender was already doing a pouring of their new Masala Chai ON NITRO! . . . and I stuck around to try something else that was not yet on the market. He and a few other staff members had informed me that they partnered with Tyler Malek – owner of Salt & Straw, a local ice creamery – to create a new oolong blend.

This was fascinating to me on two levels. One, when I thought of Salt & Straw, I didn’t think of “tea”. All I thought of were long lines.

Note: Not the actual line (but close).

Note: Not the actual line (but close).

Really long lines. The place was almost too popular a spot in Portland.

Old and Clean – A Pu-Erh Perplexion

Okay, learning time.

Everyone knows about black tea, green tea, oolong, and so on . . . but I’m sure there are some newbies passing by this article that don’t know what pu-erh is. Well, I’ll tell you, but I’ll keep it brief. In short, it’s heicha (dark tea). Or rather, tea that’s meant to be aged. The leaves are processed in such a way that they’re only “mostly dead”.

miraclemax

Meaning, they still go through an enzymatic change (i.e. fermentation) well after processing and pressing. Pu-erh, specifically refers to aged teas from Yunnan province, China. Like champagne, pu-erh is not pu-erh if it doesn’t hail from this province. All pu-erhs are dark teas, but not all dark teas are pu-erh. Got that? No?

The Road to Eugene Is Paved in Tea

The Road to Eugene Is Paved in Tea – Teashop Adventure Week

June was a shitty month.

Between two deaths in the family, a work-related back injury, and a two-week bout of influenza to cap things off, I think it’s safe to say it was the shittiest month I’ve had in nearly a decade. There were small bouts of cheer, however. And one of them came in the form of a text message.

Josh Chamberlain of J-TEA International sent me the following, “When can you come down to Eugene to try all of our iced teas?”

Eugene was about two hours away from Portland, but . . . Fuck it, I thought. I needed a distraction. What better diversion than a day trip. For tea. There were worse reasons. I made it there in record time, got to the store in roughly an hour and a half. Unheard of.

The storefront was just as I remembered it.

JTEA storefront

Smith Tea . . . ON NITRO!

Smith Tea . . . ON NITRO! – Teashop Adventure Week

On nitro!

Two words that I greatly missed from my beer-drinking days. From what I heard from a master brewer once, the process of pumping a beer keg full of nitrous oxide was to mimic the character of cask conditioning. The result was a normal-textured, full-bodied beverage with a full, thick head of foam – differing from the fizzy head of modern conditioning techniques. Sure, a regular Irish stout was good, but an Irish stout on nitro was really where it was at.

It was one of those sacrifices I was going to have to live with . . . or so I thought.

Roughly a month ago, Tony Tellin, head tea blender at Smith Teamaker noticed me nursing a pot of Darjeeling in their shop. He came out to give greetings, and also to invite me back to their “lab”. Yes, they have a lab.

Smith Lab

The T Project Grand Opening

The T Project Grand Opening – Teashop Adventure Week

Several months ago, I stopped through Northeast Portland to stay a spell at Tea Bar. And it was . . . crowded. As a self-professed introvert, I don’t do well in crowds. If I’m with peers, I mind them less. But if alone, crowds feel suffocating. While I was happy that Tea Bar was doing well, the sheer volume beautiful twentysomethings enjoying their lattes was panic-inducing to my olden heart. My plan was to grab my usual Lapsang Latte and go.

Then, toward the back, I saw a familiar face – Mizuba Tea’s Lauren Purvis was conversing with someone. Someone I knew! I thought. And I bee-lined for them . . . totally not thinking that I was interrupting a professional conversation . . . which I was.

The woman Lauren was speaking with was Teri Gelber, a soon-to-be teashop owner.

Image mooched from tprojectshop.com

Image mooched from tprojectshop.com

Drinking Duck Shit

Sometimes, I think the ancient Chinese are trolling us from beyond their ancestral graves. How else do you explain an oolong that is – essentially – a poop joke?

poop troll

Yashi Xiang (Duck Shit Fragrance) Dan Cong is an oolong hailing from Guangdong province, China. I first learned of it from fellow weird tea friend, Greg “Norbu Tea” Glancy. (As in, he’s into weird teas, like me; not that he – himself – is weird . . . like me. I don’t think?) I spotted a conversation on Twitter that he was having with a client, and caught wind of the words “duck shit”. That made my inner eleven-year-old perk up.

Image owned by Steve Cribbs

Image owned by Steve Cribbs

He didn’t have any of the stuff, but I filed that bit of tea knowledge away for future use. Roughly two years later, I was contacted by Paul “Two Dog Tea Blog” Murray. The message read, “I should probably send you some tea, shouldn’t I?” (Or something to that effect.) I had no idea I was someone folks had to send tea to . . . but okay.

He was one of my favorite types of folks, a tea blogger that decided to make the plunge into selling tea. His focus: Unique pu-erhs and – if necessity dictated – odd oolongs and black teas.

The name of his op? White 2 Tea. I had no idea what that stood for, and I forgot to ask. All I knew was that he had a wicked sense of humor, and that he was based in Beijing, China. That and his branding kicked ass. Case in point: This was the label for his Yashi Xiang Dan Cong.

duck shit label

I want that duck (with turd) as a tea pet.

The funny thing about this “Duck Shit” oolong is that it didn’t look like duck shit. I even did an image search for comparative reference. (I will spare you – fine readers – of that visual experience.) Nope, the leaves were definitely not reminiscent of water fowl’s . . . uh . . . foul. I could’ve spared myself that delightful search if I’d just read the product notes.

duck shit loose

The yashi referred to the fragrance of the leaves, not the appearance of them. I also found this decidedly odd because – having been a precocious child once – I remember what duckscrement smelled like. Up close. This was not the same.

The leaves were large and spindly, resembling a large leaf Yunnan hong cha rather than an oolong. There were even gold-tipped bits to the leaves, which further confused the issue. The supposed fowl feces-inspired aroma was actually . . . floral and buttery. So, I’m chalking this naming scheme to being a rather ancient joke pulled on unsuspecting buyers. And bloggers with way too much time on their hands.

Measuring the leaves out for brewing was a chore, due to the average leaf size. Neither a teaspoon nor a tablespoon could cut it. In the end, I had to guesstimate a gaiwan’s brew of about a small half-handful, and then boiled the water. I utilized as close to a gongfu-style prep as possible.

duck shit brewed

All three infusions brewed up to a warm medium-amber liquor with the same floral aroma on the dry leaves. Whereas most Dan Congs exhibited a requisite tartness on the first sip, this had a crisp introduction, followed closely by a bit of astringency, and trailed off to a creamy/minerally nuanced tug-‘o-war. Further infusions deepened with notes of apricot . . . but still subtle. All steeps had a lingering sweetness on aftertaste. No notes of poo.

Not really sure how to end this, appropriately. As far as ancient poop jokes go, this was delicious. I was already a massive fan of Dan Congs, but now I was positively overflowing with good will toward them. All negative emotions flushed away.

Hehe . . . duck shit . . . okay, that’s funny.

Daffy disapproved

Whiskey Smoked Tea

Whiskey Smoked Tea – The Tea-Totaler Trilogy, Part 3

This is a parable about poor impulse control. I was having a conversation with Mizuba Tea’s Lauren Purvis about experiments regarding matcha, smoke and wine. She asked me if I’d seen a recent article posted by The Japanese Tea Sommelier. I’d heard of this blogger before, but hadn’t had a chance to visit his site, yet. Tea For Me Please had featured him on her blog once. The blogger himself was a certified tea sommelier – originally hailing from France, now living in Japan – that both wrote about Japanese teas and helped source them for the company, Thes du Japon.

florent.weugue

Florent Weugue – The Japanese Tea Sommelier

I gave the blog a looksy upon her suggestion. The article she had pointed out was about a Japanese black tea (kocha) that’d been smoked over chips of whiskey barrel oak. I read every description of it with rapt attention. Black tea . . . from Japan . . . smoked over whiskey oak. What was this magical stuff, and why didn’t I have it?!

Mere minutes after reading it, I bought it. Then messaged Lauren and blamed her for “making” me do it. The package arrived a couple of weeks later.

The leaves looked like brown chips and flakes shaved off spent firewood, and smelled kind of like it, too. However, instead of just possessing the scent of hickory and campfire – like Lapsangs of yesterbrew – this had new elements to it. I was a whiskey drinker at one time, and I know peat moss when I smell it. And it was there – subtle, but there. There was also a tremendously woody bend to the aroma, much like an oak-smoked oolong I tried from Assam.

loose leaves

Instructions said to brew this for only one minute with boiled water to start, and then progress upward with further infusions. I did exactly that. Japanese teas – green or otherwise – were known to be touchy.

At only a minute, the liquor brewed bright red, but I was surprised at how light it still was – like an under-brewed Keemun, in appearance. The aroma was anything but light, imparting an oak-smoked tendril of awesome up my nostrils like a manly handshake. It was like my nose was wearing its own smoking jacket in the private room of a whiskey bar, wearing a monocle.

Brewed

Further infusions with added time also deepened in flavor. Drinking it was like upping a workout regimen, adding more weights or an extra incline. Each sip was like a power squat. I think my mouth now has muscles. The smokiest was the final Western-style infusion. Any subtlety this had pretty much vanished after two minutes; straight ashen pipe tobacco. A very well-deserved addition to the smoked tea pantheon.

To the point where I’m now spreading the gospel of this process to other tea makers I know – to see if their impulse control is as poor as mine.

packaging

Epilogue

That concludes this little series on teetotaling with tea. So far, it’s been six months since “going dry” from actual alcohol. And, as you (fair reader) can clearly see . . . with teas like these, who needs missing hubcaps and dead brain cells.

I’m totally okay to drive.

Booze Teas for Boob Teapots

Booze Tea for Boob Teapots – The Tea-Totaler Trilogy, Part 2

Around the year, 490 BCE, in the ancient Chinese kingdom of Yue, there was once a beautiful woman who was offered as tribute to an invading king. The woman was so marveled for her beauty, it was said that fish would forget how to swim if she passed by a pond. Her name was Xi Shi, and she was considered one of the “Four Beauties” of ancient China.

Xi Shi

Poems and stories have been written about her. Some industrious individual even sought to make pottery inspired by her very physical form. Well . . . part of her form, anyway. Okay, the perv settled on designing a teapot around her boob. The areola, to be precise.

The Xi Shi design is a classic one utilized for yixing clay teapots, and I learned of this on my last visit to J-TEA International. Owner Josh Chamberlain, while I was interviewing him for an article, showed me his collection of yixing teapots for sale. He regaled me with the ancient tale. Somehow, he knew I’d appreciate it.

And appreciated it, I really did. Not just for pervy reasons. I wanted that damn pot. Several months later, I got that damn pot, and one other.

boob pots

I was already expecting the Xi Shi pot, but I had no idea what the second one was. What did this have to do with anything? Why was it there? Josh couldn’t remember, either, but he assured me that it was also a boob pot of some sort. I checked the name of the product on his site: Red Yi Xing Melon Pot.

Ha! Melons . . . I chuckled inwardly. Yep, definitely another boob pot.

He also included another tea from his barrel-aged line to play around with – a loose cooked pu-erh that was aged in a rum barrel for about a month. It wasn’t available for purchase, yet, but he wanted to get my input on it. I had already set my sights on using one of the boob pots for another of his barrel-aged teas – Drunken Dragon – a three-month, bourbon barrel-aged oolong. This way, I could now play with two teas with both pots.

prep

The Drunken Dragon looked and smelled a lot like its predecessor – Bourbon Oolong. The charcoal-roasted, ball-fisted leaves ranged from dark green to beige-brown. What was different about this batch – in comparison to prior ones – was the smell. There was a deeper, liquor-like smell; likely from the added two months to the barrel aging. That and there was an almost chocolaty sensation on the back whiff. Very titillating.

The Rum Pu-Erh couldn’t have been more different from its bourbon barrel-aged brethren. Sure, the notes of earth, dust and malt were present. It was the same five-year-aged cooked stuff from the Bourbon Barrel Pu-Erh. However, the use of a rum barrel sweetened it quite a bit. It didn’t quite smell like straight rum, but the one-month scenting process gave it an odd cotton candy-ish aromatic vibe. Well . . . cotton candy dipped in liquor, anyway.

J-TEA had no specific recommendations for which type of tea belonged with which pot. There was a passing mention that the “Melon” pot was best for greener oolongs, but that was it. I used that as my barometer, and decided to brew a teaspoon of Rum Pu-Erh in the Xi Shi pot. The Melon pot was broken in with a teaspoon of Drunken Dragon. For both teas, I settled on a gongfu brewing approach – for ease more than anything.

Mulan

Small confession: I had no idea how to use these yixing pots. I should’ve consulted more knowledgeable tea friends in their uses, but – in my zeal – I forgot to. I was already halfway through brewing when I remembered this little oversight. Someone even informed me that I had to “season” the pots before use. I had no idea what that meant, and it sounded like “work”. I wasn’t in the mood to work. Day off and all.

It, also, didn’t occur to me that a clay pot would be piping hot when hot water was added. Nor did I remember how to hold it properly. I did remember a tea vendor holding just the handle, and placed a finger on the lid for support. When I did this the Xi Shi – and attempted to pour – nothing came out. I was, apparently, blocking the little nipple hole at the top. Once I removed my finger from it, liquid poured freely . . . everywhere.

spillage

Eventually, I (sorta) got the hang of it.

The Rum Pu-Erh brewed beautifully dark, and the aroma was both earthy and sweet. All three infusions I test drove with the pot turned up exactly what I hoped for. Earth, sweetness, and a touch of gasoline on the aftertaste resulted. The second infusion was the deepest, whereas the third was more nuanced.

pu-erh

The Melon pot was a different story . . .

Pouring that thing was like trying to use a urinal while drunk. No matter how well I aimed the damn spigot, I made a mess. On the second infusion, I tried to pour a bit more gingerly – same problem. By the third infusion, I figured out that – unlike the Xi Shi pot – I was required to plug the nipple hole with my finger. That concentrated the pour, making the aim of the tea stream flow true. (And, yes, I made it through that entire paragraph without chuckling.)oolong spillage

 

The three infusions of Drunken Dragon all brewed amber with an aroma of butter and oak. It was a much stronger yield of liquor notes this time around, compared to its predecessor. Just as I thought it would be. Bourbon showed up right in the top note, once the roasty introduction gave it some wiggle room. That, then, trailed off into the taster note territory usually reserved for desserts. Or boobs. Or both.

oolong

I can’t say I left this experience a more enlightened tea gentleman than I was before. Like with actual breasts, I had no clue what I was doing. But I’ll be damned if those barrel-aged teas didn’t give me the necessary liquid courage to give it the ol’ college try. Like actual women, one had to treat these teapots with delicacy . . .

boobs

And caution.

Cheating at Tea-Totaling

Cheating at Tea-Totaling – The Tea-Totaler Trilogy, Part 1

In December of last year, I gave up drinking. The reason? A missing hubcap.

poor car

I hit a curb while driving a wee bit sauced. No idea where said hubcap went. My theory’s Narnia.

My poor car was the impetus for what (originally) began as a year-long dry-spell experiment. However, in the ensuing six months, life turned out . . . rather awesome. Not sure what happened, and I’m not sure I owe it to sobriety or something else. Life kinda kicked ass. That and having that extra money in my khaki pants was rather nice.

I will confess, though, that I have been cheating a bit. I’ll explain . . .

In November of last year, I did a DIY experiment – aging black tea in a bourbon barrel. I pulled the stuff out after week, declared it “almost” a success, and did it a second time for much longer. That one wasn’t as much of a success. However, my trials and errors caught the attention of this smiling mad scientist – one TJ Williams, one-half of The Tea Kings.

TJ Williams

“I have a lab.” *evil cackle*

February of this year rolled around, and I looked at his company’s website and saw – in bold letters: Cask Aged Dian Hong”. They had aged a bunch of Yunnan black tea leaves in a 1-liter micro-barrel for a period of time. Said micro-barrel had previously housed . . . Appleton Estates spiced rum.

I messaged him about it, “Spiced rum barrel-aged Dian Hong?! Whaaaaaaaaa?!”

He confirmed it, rather proudly. I mentioned in passing that I had done something similar with a bourbon micro-barrel. He responded with, “T’was my inspiration.”

This marks the third time one of my weird blogs had let to a vendor’s future experiments. Shortly after that dialogue, I received both the Cask Aged Dian Hong, and another one – a bourbon barrel-aged Tie Guan Yin. The latter had been aged in a micro-barrel for two weeks, the barrel once being home to Johnny Walker Red.

(Bloggers Note: No alcohol is imparted on tea leaves. Just the scent of what was in the barrel. I swear.)

before brewing

The Tie Guan Yin Red Label leaves looked like many other mid-oxidized, ball-fisted oolongs of its type, but the smell was definitely altered by the bourbon barrel-ing. Along with the usual butter-flower aroma was a presence of peat on the after-whiff. Not strong, but definitely there; adding a dimension of delicious wrong-doing.

The Casked Dian Hong was a surprise and a half. The leaves were smaller-cut than the usual Yunnan black teas I ran into – leaf pieces ranging from brown to gold. What stood out, though, was the smell. Holy booze-gods, the moment I opened the can, straight rum pummeled my nostrils. Not as strong as the alcohol itself, but definitely as sweet and creamy. And that was only after a week of barrel-aging.

For the oolong, I went with a gongfu (or rather, gongfoolish) approach, but with the Dian Hong, I did the usual western-style brew. Both were brewed with boiling water. It was early morning, and I wanted to bleed whatever essence I could out of them.

After three successive infusions – at around thirty-to-forty-five seconds each – the barrel-aged Tie Guan Yin brewed light green with a subtle, herbal aroma.

Tie Guan Yin

No liquor note on the whiff to speak of. It wasn’t until I sipped each one that I witnessed the barrel contribution. Funnily enough, the oolong began with the subtle, liquor-scented note before transitioning to the usual Tie Guan Yin bells-‘n-whistles of butter and minerals.

As for the Casked Dian Hong . . .

Gaaaaaaaaahhhhhh! Before this, I’d only had one other rum barrel-aged tea. I don’t know what it is about rum, or even traces of rum, but the notes compliment well with tea’s natural, oxidized profile. Yunnan Dian Hongs tend to be on the earthier side anyway with trace sweetness layered throughout (in my experience). It seems only natural that those notes would play well with a malty, sweet, chewy . . . pirate-y rum.

Casked Dian Hong

To make a long description short(er), the rum and black tea paired perfectly here. The intro taste was like that of a liquor-filled chocolate, while the rest was like burnt oakwood-smoked ‘s’mores. Soooo much sweetness, sooooo much awesome. I could find something more sophisticated here, but I don’ wanna.

After brewing

Interesting sidenote: In future brewing sessions with both of these, the longer I steeped them for, the more pronounced the liquor note. It was like the scenting process was born to make love to tea tannins. Or something.

Epilogue

Many months later, I encountered TJ at World Tea Expo 2015. He passed along another rendition of their Cask Aged Dian Hong, but this time it’d aged in the barrel for two weeks rather than one. I decided to do a side-by-side tasting of both versions. The results? (Beyond this cheesy tea haiku.)

side-by-side-rum - TeakuTuesday

The longer-aged stuff tasted the same as the shorter, but with more of the spice and oak imparted due to the longer wait-time. I could drink it all day. Both of them. At the same time. Double-fisting.

If this is cheating at sobriety, then screw the rules.

A Tale of a Nepalese Tea Estate

I’m well aware of the awkward timing of this blog, given recent events. Originally, I’d intended to have this up the week prior. Circumstances of the lazy kind prevented me from finishing it by then. So, here it is, now. And, yes, I will be addressing the really shaky subject matter toward the end. But please allow me to start from the rather pleasant beginning . . .

Three years ago, I had the distinct pleasure of trying my second tea from Nepal. It was from a tea estate dubbed Ilam Chiyabari. I tried to locate it via Google Maps at the time, but found no information on it. After posting a review of said second flush black tea, I actually received a comment from one of the co-owners of the estate – Bachan Gyawali. He said that Ilam Chiyabari was a new outfit, but that he (and his brother, Lochan) also owned a sister tea estate called Jun Chiyabari – located in Eastern Nepal.

Jun Chiyabari estate

Mere months later, I had a chance to try something from the sister estate, a green tea called “Himalayan Evergreen”. I remember being floored by it. Years would pass before teas from that estate would once again grace my cup. Niraj Lama, o’ he of Happy Earth Tea, informed me that he’d acquired a few teas from said estate, and that they were en route to me as he was writing the e-mail. Two black teas, one oolong and a green tea.

Jun Chiyabari

Needless to say I was excited. For two reasons: (1) I wanted to get a better idea of the other teas the estate produced, and (2) I was looking forward to writing a Happy Earth Tea-based blog that didn’t involve dwarves . . . or my brother’s dog. (Long stories; both of them.)

Himalayan Evergreen #121

At the time I tried this, I had no idea it was a variation of the same green tea I sampled three years ago. As with most of the Jun Chiyabari offerings, this was from the autumn 2014 harvest. And like the other teas, their appearance was indicative of the overall style of the Nepalese estate’s technique. The leaves were small, obviously hand-rolled, and – as the name suggests – green. Unlike the other teas, though, the leaves were far greener, and that also showed in the scent, which was herbaceous and sweet – like a Chinese Xue Ya green tea.

For brewing, I went for a light approach – even by green tea standards. I heated water to roughly 175-ish F, used around a teaspoon of leaves and a 6oz. steeper cup. For the safe side of steeping, I went with a three-minute infusion.

Himalayan Evergreen

The results were . . . magnificently pleasant. There was a grassy, buttery introduction that transitioned (creamily!) to a floral conclusion. If there was a top note, I didn’t notice it amidst curling up in an evergreen electric blanket of pleasantness. This was terribly pleasant afternoon comfort food.

Himalayan Oolong

Believe it or not, I’m a bit of an old hat at Himalayan oolongs. I’ve had several over the course of years, and no two are the same. Some are ball-rolled, others are deeply roasted. If one is looking, they can spot a common terroir-related characteristic. But other than that, they’re all quite different. This was no exception.

On appearance, it was like looking at a Darjeeling that’d been coiled like a Chinese Bi Luo Chun. The color of the leaves was distinctly oolong, though – soft greens to hues of purple and brown. A veritable menagerie of mid-oxidation. The aroma also exuded this with a floral, slightly fruity, and almond-like presence.

For brewing, I went with a Darjeeling-ish approach. I brought water to a boil, let it cool for a minute or two, then poured it over 1 tsp. of leaves in a 6oz. steeper cup.

Himalayan Oolong

The results were really peculiar – in a good way. The liquor brewed light amber with an aroma of wine grapes and wilderness flowers. On taste, that’s where things got really confusing. The introduction was all grape, but then it settled down into something more resonant – not exactly floral, not exactly earthy. I would say, close to aromatic, like a Taiwanese oolong but with a Himayalan bend. The finish was light and creamy.

Himalayan Bouquet #130

The leaves for the Himalayan Bouquet were twisty in a hand-rolled sort of way – like an oolong, half-balled. Colors on display ranged from brown to green, to shades of white tea pale. I even spotted some downy furs on some of the lighter leaves. The aroma they gave off was straight nuts and . . . mocha? Chocolate but with a kick.

For brewing, I treated this as any other black tea – a tablespoon of leaves in a 12oz. mug of boiling water for three minutes. I assumed that the liquor would color as soon as I touched-down my little strainer ball. Not the case. The water didn’t start infusing color until well into a minute of steeping. That had me worried.

Then I put nose to cup.

Himalayan Bouqet #130

The smell of nuts was strong with this one. The liquor did end on a pale note – Darjeeling first flush light, on the subtler side of amber. To the taste, though, my eyes widened a little; one brow furrowed. Almonds were the introduction, followed by delightfully floral middle, and it trailed off with a faint astringency that settled on something herbaceous. Had this been a blind man, I thought I would’ve tasted a nuanced Darjeeling oolong.

Himalayan Bouquet #153

The leaves for this offering were different from its other numbered sibling, but not in the appearance. Both the #130 and the #153 looked the same – hand-rolled curly-cue leaves of varying colors. Where they differed was the smell. This possessed more of a traditional, malty black tea aroma, where the #130 was more . . . Spring-like?

I brewed it like I did everything else, boiled water, three-minute steep, 1 tsp., 6oz. steeper cup . . . etc. . . . yadda-yadda . . . ad infinitum.

Himalayan Bouquet #153

The liquor brewed up light amber, just like every other medium-bodied Jun Chiyabari offering. On sight alone, I wouldn’t be able to tell both Bouquets – or the estate oolong, for that matter – a apart. The difference was in the aroma. This had a much deeper aroma and a slightly burlier presence. That also showed up on taste, delivering a bit more astringency at the forefront, followed by a toastier top note, and trailing off into a sea of almonds and flowers.

Just like three years ago, the one that floored me the most again was the Himalayan Evergreen. It had all the things I looked for in a green tea – that being it had nothing in common with typical green teas. Hard to believe, but green tea really isn’t my favorite type of tea. Sure, there are those I like, but I tend to gravitate towards . . . well . . . anything else. To find a green tea I like, let alone one I love is a rare thing, indeed. All the Jun Chiyabari teas were great, but the Evergreen was exceptional.

As I said above, I meant to have this article up a week ago, but then on Saturday (April 25th, 2015) a devastating earthquake devastated the capital city of Kathmandu and surrounding areas. The impact was felt all the way to India. I was at work at the time, and first learned of it from Facebook. Folks I knew (or knew of) in the region were checking in, informing everyone that they were safe.

After getting off shift, I took to Twitter to learn more. Amidst my various inquiries, I actually received a reply to one of my pings from the Jun Chiyabari estate itself:

Jun Chiyabari tweet

Relief tugged at my heart. A simple reply – a mere few characters – reminded me that regardless of vast distances, we’re all connected. Whether by chord . . . or cup.

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