of the Lazy Literatus

Tag: Thailand

Bordering on Sheng Puerh

Let’s talk about border sheng.

As long-time readers already know, I’m a bit of an old hat (and advocate) of sheng cha produced outside of Yunnan province, China. I’ve devoted the last decade or so to trying sheng cha from countries along (or near) the Yunnanese border. The Phongsaly region of Laos, the Kokang region of Myanmar, the northern provinces of Vietnam, states of eastern India, and—finally—the hill countries of Chiang Mai and Chiang Rai provinces in Thailand.

However, while my palate was definitely well-rounded, my reference to these products as “border sheng” might’ve been incorrect. Or even worse, misinformed. And this clarity came about because of an unassuming tasting of two factory-specific Thai “puerhs” that fell under the brand: Hong Tai Chang.

The White Teas of Araksa

The Araksa Tea Plantation is, by its own website’s declaration, one of the oldest in Chiang Mai province, Thailand. That’s not to say that it’s the oldest garden, or the oldest processor of teas. But by modern, Western-ish tea garden standards, that appears to be true.

Image owned by Araksa.

Araksa—which in Sanskrit means “Preserve”—was first plotted in 1939, utilizing assamica trees (by clone or seed) that grew plentifully in the area. Northern Thailand has a rich history of tea processing, dating back as far as the 1200s. Sheng puerh(-like) tea is the stock and trade for some of the Thai hill tribes in the area. But more established plantations were a rarity.

Like many such enterprises, though, this particular garden was abandoned, likely due to shifting economic whims. As a result, the garden went feral for several decades. It wasn’t until 2014, when the garden shifted to new owners, that tea production of a sort resumed. However, making tea alone wasn’t the sole emphasis.

The Ruckus over Ruan Zhi

Ruan Zhi—or “soft stem”— is a particular cultivated variety (or cultivar) of tea plant originally hailing from China, before making its way to Taiwan, and then migrating further along to Thailand and Myanmar . . . I think?

I say “I think?” because, well, information is not all that clear about the cultivar’s origins. As a result, I’m going to have to approach this write-up in reverse. That being: focusing on teas that were made from said cultivar once it made its way to Thailand, and even as far away as Myanmar. After that . . . I’ll attempt to elaborate upon the soft-stemmed tea bush’s checkered past.

Aged Oolong from Thailand

In all my years of writing about tea, there’s one subject I don’t think I’ve touched upon in great detail. That being: Aged oolong.

Thai Aged Oolong loose

 

Dark Tea from Thailand

Well over a year ago, Tony “World of Tea” Gebely posted a photo of a dark tea on Instagram.

It was an aged moacha (i.e. the rough stuff used to make puerh cakes) . . . but it was from – of all places – Thailand.

Used with permission by Tony Gebely.

Used with permission by Tony Gebely.

For obvious reasons, it grabbed my attention.

From Opium to Oolong – Tea from Thailand

When I thought of Thailand in terms of tea, the only ones that came to mind were Thai sweet tea and Boba (or “bubble”) tea. The former of which was a glass of sugar with a little bit of tea in it;  the latter I hated beyond measure. (Tapioca belonged in pudding…not tea.) As a result, it was easy to dismiss Thai tea culture as something only spoken of in giggle-fitted whispers.

A travel blog posted by Leafjoy corrected my preconceived notions by relating a rather interesting story. Apparently, in Northern Thailand – a place that’d become a tribal melting pot – they grew their own tea. Chiang Rai province was infamous for it’s old cash crop standby – poppies, the primary ingredient for opium. That had since changed to more orthodox offerings such as fruit and tea plants. The entry arched my “Tea WANT!” eyebrow. I hate it when it arches.

Courtesy of Leafjoy.com

I figured that acquiring some in recent months would be a distant and unlikely possibility, but serendipity had other things in store. On my Smith Teamaker jaunt to pick up the new Mao Feng Gin, I ran into Steven Smith himself.

“I have something you have to try,” he said.

He brought out a green bag adorned in Asiatic lettering and poured out some blue-green, balled oolong-ish leaves. The “blue tea” – as he called it – was given to him as a sample from a business contact in Canada. Said contact was curious if Smith wanted to carry it. In turn, he was curious what I thought of it. Neither of us were quite sure what the “blue tea” moniker meant, though. Steven also didn’t have any other details for me other than the tea itself and the growing region (Doi Tung). I thanked him profusely and went home to do a little digging and brewing.

The blue tea search left me quite stumped, however. I could find no mention of blue tea other than a listing on the Mariage Frères site for an “Opium Hill” tea. It looked the same as the sample I received from Smith. Unfortunately, their information on it – other than being of Thai origin – was sparse.

Dejected, I did what any tea geek would do in that situation. I turned to a more well-versed and aptly-named Tea Geek. He informed me that blue tea (or “qingcha”) was another given name for wulong/oolong. It was a blanket category for all semi-oxidized teas because of the blue-ish hue they take on after drying. It was a bit of a misnomer, much like the Western “black tea” label.

The leaves for this were “tricksy” in their appearance. On sight alone, they looked like any normal green-style oolong I came across. The semi-oxidized, blue-green color, and the ball-fisted rolling technique were not too different from Chinese or Taiwanese oolongs. If I didn’t know any better, I would say I was looking at a Bai Hao/Oriental Beauty – a light-roasted one at that. What informed me that I was dealing with something completely different was the aroma. I smelled berries; rather, three distinct ones – strawberries, grapes, and blueberries – fused together. It was like wrapping a Fruit Roll-Up around one’s nose.

Given the entirely new experience on sight and smell, there was no specific brewing template to go by. A good default with an aromatic, light-roasted oolong was multiple infusions in a gaiwan with 190F water. Basically, gongfu-style but less formal. I did exactly that with four steeps – two at thirty seconds, two at forty – 1 tsp. worth of leaf-balls.

First infusion (thirty seconds): I’ll be honest, it sorta smelled like pondwater. The liquor also looked river-green. The taste, however – while possessing a vegetal forefront – transitioned  to a wonderfully floral body and a subtle fruit finish.

Second infusion (thirty seconds): This time the liquor took on a brighter color and a more aromatic scent – buttery like lotus blossoms. The floral character also echoed in the taste but with something more akin to jasmine. That could’ve been the somewhat dry forefront. The mid-body was more melon-like this time, very even in comparison to the first. What little aftertaste there was passed by with a smooth texture.

Third infusion (forty seconds): Same visual palette but with an indiscernible nose. It was neither an earthy or floral scent but rather something “clean”. In sharp contrast, the taste took on the berry notes I detected in the dry, fisted leaves. Very prevalent in the middle. Again, the aftertaste tapered off pleasantly.

Fourth infusion (forty seconds): The liquor color had lightened significantly to a pale yellow, more in line with some spring flush green teas. The taste still had plenty to offer, though. It alternated between fruity, creamy and floral – like a grape that’d been dipped in honey-vanilla and wrapped in petals for warmth. The finish possessed more of a vegetal kick, signifying that it was almost at the end of its yield.

This Thai goodie didn’t fade, though, until about infusion #7, much to my surprise. The flavor remained pretty even throughout, no major detractions from its original smoothness. That and it never took on the metallic astringency of an over-brewed Ti Kwan Yin.

While the initial steam aroma was off-putting on the first infusion, this was a very reliable introductory oolong. I’m not sure it would hold up in a taste-test against a good Wu Yi or Ali Shan, but right out of the starting gate, I’d say Thailand is off to a damn good start. This was the Shiraz of oolongs.

Special Thanks to:

Smith Teamaker – For providing the sample, and for terrific tea talk. I always feel at home there.

Michael J. Coffey (purveyor of TeaGeek.net) – For having the world’s most magnificently ironic name ever, and for clearing up the “blue” debacle. He’s a fountain of tea knowledge.

Leafjoy – For their informative tea blog and for giving me permission to use one of their photographs.

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